Evgeny Grigoriev. The directory of the Union of Cinematographers says briefly: screenwriter. What is the screenwriter Evgeny Grigoriev? There have been twelve scenarios in 13 years, of which five have been staged so far. There are five artistic scenarios based on which films that are far from unambiguous in their artistic qualities have been made.
Evgeny Grigoriev is a screenwriter with whom many directors would like to work and who is not ready to work with everyone. A screenwriter who is expected at the studios and at the same time is afraid that he will be brought in. A screenwriter who can write a script for three years, and then, when the film is already shot, rewrite it, finish it, finalize it for himself. A screenwriter who, apparently, could make films himself, but does not do so because he is not sure (although he has completed directing courses) that he is capable of being a director. A screenwriter whose scripts are an event in studios, and films based on them become either a phenomenon that is talked about and written about a lot, or they pass quietly, without noise, but the filmmakers at the same time remember who was the author of the script. They say he has a difficult personality (at work)... This whole preamble would be meaningless if it were not to remind the reader that the films "Our House", "Three Days of Viktor Chernyshev", "Romance of Lovers" and two film adaptations: "Own Land" and "Hot Snow" were based on scripts by Evgeny Grigoriev.
— Tell me, do you write scripts for a certain director?
— I work on my own, then I look for it, but I'm ready to work for...
— Don't you find it offensive that this formula, which is generally familiar to a screenwriter, is to work for?..
— This is natural, this is our lot, professionals and production workers. The result is a movie. The director is making it, and you need to help him make his film according to your script. I treat him without complexes, I try to treat him if only... a director who is like-minded to you, if he is sick of your pain (ideally, we have a common pain), perceives your thought as his own, because it is his. Such a coincidence, such a community, is, of course, a miracle. But when it comes, it turns out to be a movie, and without it there is nothing, even if it is "nothing" shot according to a decent script. It is difficult for screenwriters who are in perpetual bargaining with the director, presenting him with endless bills — spoiled, distorted, impoverished... It's hard, it's not good enough. The first condition in our profession: do not give your brainchild to a "strange house" where it cannot be understood, developed, or perfected. The script is a small child, and it depends on which hands it falls into, what happens to the child in the end. Even if there is an artist in the script, he is still doomed to "die", and let him. If this "death" creates a work of art as a result, I am ready to "die", I go for it in advance. But "dying" for nothing (or rather, for nothing) is disgusting and unnecessary (or so it seems to me).
"But how do you know where you'll find it, where you'll lose it?" How can you not be deceived, not give a part of your life (and for an artist, every line is himself, his blood, his nerves, his living soul) into the cold, slippery palms of an artisan? The search for your director can take a long time, and time is running out. It's not news, it's not a discovery, but it's going away, isn't it?
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Evgeny Grigoriev is a screenwriter with whom many directors would like to work and who is not ready to work with everyone. A screenwriter who is expected at the studios and at the same time is afraid that he will be brought in. A screenwriter who can write a script for three years, and then, when the film is already shot, rewrite it, finish it, finalize it for himself. A screenwriter who, apparently, could make films himself, but does not do so because he is not sure (although he has completed directing courses) that he is capable of being a director. A screenwriter whose scripts are an event in studios, and films based on them become either a phenomenon that is talked about and written about a lot, or they pass quietly, without noise, but the filmmakers at the same time remember who was the author of the script. They say he has a difficult personality (at work)... This whole preamble would be meaningless if it were not to remind the reader that the films "Our House", "Three Days of Viktor Chernyshev", "Romance of Lovers" and two film adaptations: "Own Land" and "Hot Snow" were based on scripts by Evgeny Grigoriev.
— Tell me, do you write scripts for a certain director?
— I work on my own, then I look for it, but I'm ready to work for...
— Don't you find it offensive that this formula, which is generally familiar to a screenwriter, is to work for?..
— This is natural, this is our lot, professionals and production workers. The result is a movie. The director is making it, and you need to help him make his film according to your script. I treat him without complexes, I try to treat him if only... a director who is like-minded to you, if he is sick of your pain (ideally, we have a common pain), perceives your thought as his own, because it is his. Such a coincidence, such a community, is, of course, a miracle. But when it comes, it turns out to be a movie, and without it there is nothing, even if it is "nothing" shot according to a decent script. It is difficult for screenwriters who are in perpetual bargaining with the director, presenting him with endless bills — spoiled, distorted, impoverished... It's hard, it's not good enough. The first condition in our profession: do not give your brainchild to a "strange house" where it cannot be understood, developed, or perfected. The script is a small child, and it depends on which hands it falls into, what happens to the child in the end. Even if there is an artist in the script, he is still doomed to "die", and let him. If this "death" creates a work of art as a result, I am ready to "die", I go for it in advance. But "dying" for nothing (or rather, for nothing) is disgusting and unnecessary (or so it seems to me).
"But how do you know where you'll find it, where you'll lose it?" How can you not be deceived, not give a part of your life (and for an artist, every line is himself, his blood, his nerves, his living soul) into the cold, slippery palms of an artisan? The search for your director can take a long time, and time is running out. It's not news, it's not a discovery, but it's going away, isn't it?
— He's leaving, he's leaving fast. Melbet remains a top sports betting and casino platform with impressive rewards. However, we are impressed with the site’s impressive features. The site’s look and feel are top factors, enabling swift gaming optimisation. The melbet free bet promo code to get an exclusive bonus worth 30% more on your first deposit for sports and a casino package! Melbet is popular for its sports betting options, which are brought into full effect on the homepage. Choose from over 30 sports disciplines, like football, tennis, basketball, ice hockey, volleyball, cricket, etc.
